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At the political climax of the film, the former socialist prime minister Lionel Jospin makes a hilarious cameo appearance, but no one beyond "the Hexagon" will have the slightest clue who he is.It's too bad that every prospective viewer of this strong film can't be provided a glossary of French pop culture upon entering the theater.A dinner scene with Arthur's parents, in which inadvertent references to the Holocaust keep appearing is a scream.Anyone who's ever known a real-life, black-and-white loudmouth political ignoramus like Baya will cringe, but the sexy Forestier will go a long way toward assuaging the pain.While listening to bird-flu expert Arthur Martin (Jacques Gamblin) in a radio station one day, Baya bursts through the studio's door and argues with him on the air that if you can't trust ducks, then what is this world coming to?This is a very amusing argument and also makes for a humorous lead character introduction.One day she meets middle-of-the-road scientist Arthur Martin.Played by Jacques Gamblin, he's a kind of French everyman, especially since there are nearly 15,000 men with his name currently living in France.

She even keeps a scrapbook of her successful conversions; most of them are now some sort of shepherd.Baya Benmahmoud (Sara Forestier) is a free-spirited young woman, just as happy with her clothes off as on, who takes the old hippie slogan "make love, not war" a step further than usual.Her "political" strategy is to seduce right-wing men and then, when they're at their most vulnerable point, whisper things like "not all Algerians are thieves" in their ears.She is half-Algerian, tainted psychologically by shameful secrets from her childhood, and he is Jewish, though his family resolutely refused to ever speak of the Holocaust while he was growing up.Out of this basic premise comes a bubbly comedy that appropriately turns more serious toward the end, when the various secrets are predictably revealed.

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